Category Archives: For Writers

Tuesday Two-Minute Writing Tip – Visual Writing

Got two minutes? Then check out this week’s quick tip ~ Using images and boards to visualize your story

Hello and welcome…I am a freelance editor and an editor for The Wild Rose Press, as well as an author. I often struggle with my own writing, and I have found that sometimes, a little reminder of ways to improve the process can be helpful, so, I like to share these moments of brilliance with others :). But, in this busy world of ours, who has time for pages and pages of writing tips? That’s why I’ve condensed mine down to quick flashes you can read in (approximately) two minutes. Enjoy…

TWoMinuteTip

Disclaimer: All of my tips are suggestions, and are only my opinion. And, for the most part, there are exceptions when going against my advice will make your story read better. Take what works, leave the rest.

Many writers are ‘visual,’ which can be very handy in our business. I am not as visual as I would like to be, but I have a few tricks to help me pictorialize my stories.

1 – Character Models: I MUST have a ‘model’ in mind for my main characters,and sometimes for secondary characters. They do not have to be celebrities or someone I know, and they don’t have to look like my character, they just need to personify them in some way. I have a current WIP (Pretentious: Martini Club 4 – The 1940’s) and an upcoming WIP (Evil Eye). Here are the models for my heroine and hero in Pretentious:

Nina Taggart - Jessica De Gouw Sylvester Morello - Raul Bova

I’m not familiar with either one of these actors, but they have the look, the demeanor I’m going for, just in these images.

Evil Eye is not a romance. I mainly needed an image for my protagonist, and I chose these two: (Different people, but the image I’m going for is a combo)

400px-B99_0119_MFumero

A beautiful police detective woman on the job with a gun

2 – Promo Images/Covers – Even if I don’t yet have an actual cover, I try to find examples of promo images and cover images that I might want for the story. I put something together in the early stages, so I can visualize the cover and the book seems more real. Here are a few for Evil Eye:

Evil Eye MEME

Eye of terrible man

3 – Image Board: I use a board to place images and notes I need to keep in mind as I’m writing. The notes might be about character traits or habits, scenes I’ll want to add but I’m not sure where, so they aren’t necessarily in my outline, and I also post notes about secondary characters I don’t want to forget about.

Here is an image of the Evil Eye board, although it’s not complete yet. I also like to include a few images of setting, which I have not yet done. (My color printer was running out of ink, so the images aren’t great, and the notes might not make sense to you, but they do to me. :))

IMG_0379

4 – Pinterest: Lastly, I create Pinterest boards of images, setting, etc. I’m afraid I don’t keep up with these as well as I should. I have not yet created one for Evil Eye, but I am working on becoming more active in the Pinterest arena.

Here is my Pinterest board for my latest release, Devil’s Promenade:

https://www.pinterest.com/aliciamdean/creating-devils-promenade/

Here is a board created by Kathy L Wheeler for our Martini Club 4 – The 1940’s series:

https://www.pinterest.com/kathylwheeler/martini-club-4-1940s/

 

Visual writing is not only fun, it really helps bring your story to life. If you haven’t tried it, I recommend you give it a shot. If you have tried it, please share some of your tips and methods in the comments.

Until next time…Happy Writing!

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Get your  two-minute tips all in one handy reference guide:

(Click on the cover to be taken to the Amazon Buy Page)

2 minute writing tip final

 

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*** If you would like to send me a few sample pages (around 7500 words or so, even though I will not edit that many on the blog. It just gives me more to choose from) for me to edit and share on an upcoming blog post, please do so in the body of an email to AliciaMDean@aol.com. Please use the subject line: “Blog Submission” This is for published or unpublished authors. In the email, please include whether you would like me to use your name or keep it anonymous, and whether or not you would like me to include any contact info or buy info for your books. Also, you can let me know if you would like for me to run my edits by you before posting on the blog. Please keep in mind, this is for samples to use for blog posts. I will not edit or use samples from all the submissions I receive, but I will use as many as possible. 

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16

How to write a novel? That is the question. There are probably as many answers to that question as there are people who ask it.

Wanting to write and actually doing it are two very different things. I am well acquainted with the sometimes grueling process of churning out a story. Over the years, I have tried many methods for creating and completing manuscripts, and have tweaked and honed it down to a workable (for me) process.

Using specific examples from one of my own novels, Without Mercy, I share my method in this mini how to book. The first eight steps actually deal with plotting while the last two are designed to help expand your outline into a well-developed draft. There is no one, perfect way to create a story, but there will be a method, or methods that work for you. I’m not sure if this is the one, but it works for me. Only you can decide if it also works for you. Fingers crossed that it does!

*** Warning – Please do not purchase without reading a sample. (This is solid advice for any book, fiction or non. If you are not intrigued in the sample, you will likely not enjoy the book)

Amazon: Click Here

9 Comments

Filed under For Writers, Promo Tips, Tips from an Editor, Tuesday Two-Minute Tips

Tuesday Two-Minute Writing Tip – Cut the Clunky

Got two minutes? Then check out this week’s quick tip ~ Eliminate unnecessary phrases that make your writing ‘telling’ and wordy.

Hello and welcome…I am a freelance editor and an editor for The Wild Rose Press, as well as an author. I often struggle with my own writing, and I have found that sometimes, a little reminder of ways to improve the process can be helpful, so, I like to share these moments of brilliance with others :). But, in this busy world of ours, who has time for pages and pages of writing tips? That’s why I’ve condensed mine down to quick flashes you can read in (approximately) two minutes. Enjoy…

TWoMinuteTip

Disclaimer: All of my tips are suggestions, and are only my opinion. And, for the most part, there are exceptions when going against my advice will make your story read better. Take what works, leave the rest.

 

A lot of writers, even seasoned ones, have a tendency to include unneeded ‘head’s up’ or qualifier type phrases, mostly at the beginning of sentences, that aren’t needed. Eliminating these phrases can make your writing tighter and less telling.

Some examples…

“You’ll never be the kind of woman I need, Victoria.”

Hurt by what he said, she burst into tears. “How can you be so cruel?”

See how the ‘hurt by what he said’ isn’t needed? We know that’s why she burst into tears.

He skirted the building, looking for a back way in. As he did, he drew his weapon.

‘As he did’ isn’t needed. We know he was doing it, so yes, he drew his weapon ‘as he did’ it.

Her gaze scanned the room, stopping on the photo resting on the mantel. In that moment, she realized whose house she was in.

Eliminate ‘In that moment’ – We know that’s when she realized.

Mary opened the door and stepped inside his office. As she entered, she held the stack of papers out to him.

No need for ‘as she entered’ because when she stepped inside, she’d already entered. 

 

That’s it, just some brief reminders of phrases that can clutter your writing and don’t add anything to the story.

Until next time…Happy Writing!

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Get your  two-minute tips all in one handy reference guide:

(Click on the cover to be taken to the Amazon Buy Page)

2 minute writing tip final

 

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*** If you would like to send me a few sample pages (around 7500 words or so, even though I will not edit that many on the blog. It just gives me more to choose from) for me to edit and share on an upcoming blog post, please do so in the body of an email to AliciaMDean@aol.com. Please use the subject line: “Blog Submission” This is for published or unpublished authors. In the email, please include whether you would like me to use your name or keep it anonymous, and whether or not you would like me to include any contact info or buy info for your books. Also, you can let me know if you would like for me to run my edits by you before posting on the blog. Please keep in mind, this is for samples to use for blog posts. I will not edit or use samples from all the submissions I receive, but I will use as many as possible. 

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16

How to write a novel? That is the question. There are probably as many answers to that question as there are people who ask it.

Wanting to write and actually doing it are two very different things. I am well acquainted with the sometimes grueling process of churning out a story. Over the years, I have tried many methods for creating and completing manuscripts, and have tweaked and honed it down to a workable (for me) process.

Using specific examples from one of my own novels, Without Mercy, I share my method in this mini how to book. The first eight steps actually deal with plotting while the last two are designed to help expand your outline into a well-developed draft. There is no one, perfect way to create a story, but there will be a method, or methods that work for you. I’m not sure if this is the one, but it works for me. Only you can decide if it also works for you. Fingers crossed that it does!

*** Warning – Please do not purchase without reading a sample. (This is solid advice for any book, fiction or non. If you are not intrigued in the sample, you will likely not enjoy the book)

Amazon: Click Here

4 Comments

Filed under For Writers, Promo Tips, Tips from an Editor, Tuesday Two-Minute Tips

Tuesday Two-Minute Writing Tip – Creating Characters that Resonate

Got two minutes? Then check out this week’s quick tip ~ Ways to make your characters memorable.

Hello and welcome…I am a freelance editor and an editor for The Wild Rose Press, as well as an author. I often struggle with my own writing, and I have found that sometimes, a little reminder of ways to improve the process can be helpful, so, I like to share these moments of brilliance with others :). But, in this busy world of ours, who has time for pages and pages of writing tips? That’s why I’ve condensed mine down to quick flashes you can read in (approximately) two minutes. Enjoy…

TWoMinuteTip

Disclaimer: All of my tips are suggestions, and are only my opinion. And, for the most part, there are exceptions when going against my advice will make your story read better. Take what works, leave the rest.

 

One of my weaknesses is characterization, so please don’t think that I think that I actually FOLLOW all of these suggestions. However, many of my Tuesday Tips, as I’ve mentioned, are things I need to work on myself. This is one of them.

Remember, characters to not only have to be likable, they have to be real, relatable, and memorable. And, please, please, do not make them perfect. Do you know any perfect people? Do you know those who THINK they are perfect? How irritating are they? See, you don’t want your characters to irritate your readers. 🙂

A few ways to create characters readers will want to hang out with:

  • Have a character do something. Don’t just let them sit around waiting for things to happen to them, have them make things happen. This is something I often fail at, but I am working to improve.
  • Characters should do the unexpected. Especially in the beginning. If you want readers to connect with your character and your story, you need to surprise and intrigue them. Although it’s one of my older books, I loved writing the opening scene of Heart of the Witch. The story opened in the POV of a serial killer who had a victim in his clutches. I’ve read tons of books like this, and don’t get me wrong, I enjoy them. But, with mine, I decided to change things up a bit. My killer was being all twisted and threatening and delighting in what he was about to do. However, the tables turned on him when his ‘victim’ used her witchy powers to set his genitals on fire. As it turned out, she was the heroine of the story. 
  • A symbol/trait/catch phrase/habit/object, etc, or any combination thereof (but don’t go overboard). Give your character something tangible and something intangible to make them more vivid and ‘real.’ Who can think of Scarlett O’Hara without thinking of ‘Fiddle dee-dee!’ and Tara?
  • Give your character contradictions. For example, in my Isle of Fangs series, I have a vampire hunter who is afraid of blood. That allows for some interesting (I hope) conflict.
  • Have them want something different from what they need. In Devil’s Promenade, Camille wants to prove the spook light legend to be false for the book she’s writing, but she needs to believe in the supernatural, so she can help a ghost find closure.

So…what do you think? Do you have some character creating tips to share with us?

Until next time…Happy Writing!

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Get your  two-minute tips all in one handy reference guide:

(Click on the cover to be taken to the Amazon Buy Page)

2 minute writing tip final

 

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*** If you would like to send me a few sample pages (around 7500 words or so, even though I will not edit that many on the blog. It just gives me more to choose from) for me to edit and share on an upcoming blog post, please do so in the body of an email to AliciaMDean@aol.com. Please use the subject line: “Blog Submission” This is for published or unpublished authors. In the email, please include whether you would like me to use your name or keep it anonymous, and whether or not you would like me to include any contact info or buy info for your books. Also, you can let me know if you would like for me to run my edits by you before posting on the blog. Please keep in mind, this is for samples to use for blog posts. I will not edit or use samples from all the submissions I receive, but I will use as many as possible. 

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16

How to write a novel? That is the question. There are probably as many answers to that question as there are people who ask it.

Wanting to write and actually doing it are two very different things. I am well acquainted with the sometimes grueling process of churning out a story. Over the years, I have tried many methods for creating and completing manuscripts, and have tweaked and honed it down to a workable (for me) process.

Using specific examples from one of my own novels, Without Mercy, I share my method in this mini how to book. The first eight steps actually deal with plotting while the last two are designed to help expand your outline into a well-developed draft. There is no one, perfect way to create a story, but there will be a method, or methods that work for you. I’m not sure if this is the one, but it works for me. Only you can decide if it also works for you. Fingers crossed that it does!

*** Warning – Please do not purchase without reading a sample. (This is solid advice for any book, fiction or non. If you are not intrigued in the sample, you will likely not enjoy the book)

Amazon: Click Here

12 Comments

Filed under For Writers, Promo Tips, Tips from an Editor, Tuesday Two-Minute Tips

Tuesday Two-Minute Writing Tip – Don’t Do What I Did

Got two minutes? Then check out this week’s quick tip ~ Some examples of my errors and how to avoid the same.

Hello and welcome…I am a freelance editor and an editor for The Wild Rose Press, as well as an author. I often struggle with my own writing, and I have found that sometimes, a little reminder of ways to improve the process can be helpful, so, I like to share these moments of brilliance with others :). But, in this busy world of ours, who has time for pages and pages of writing tips? That’s why I’ve condensed mine down to quick flashes you can read in (approximately) two minutes. Enjoy…

TWoMinuteTip

Disclaimer: All of my tips are suggestions, and are only my opinion. And, for the most part, there are exceptions when going against my advice will make your story read better. Take what works, leave the rest.

Without Mercy 07-09-16

Nothing can bring a story to life like listening to it on audio. I am currently in the process of having Without Mercy made into an audio book. My narrator is fantastic. She is so good that sometimes, I’m caught up in my own story, and I’m anxious to see what happens next, even though I know exactly what happens next. 🙂

On the down side, it also brings mistakes or poorly worded sentences to light in full blown clarity. Some of the issues I’ve ‘heard,’ and this doesn’t include just good old-fashioned typos and such, are…

Times when I use pronouns when I should use proper names:

1 – “Shut up.” Royce whacked the butt of the gun into his chin. Steve’s head jerked back, and he grunted in pain.

~ Sure, it’s obvious Royce wouldn’t whack the butt of the gun into his OWN chin, but this part still took me out of the story for a second. Would have been better off to word it as: 

“Shut up.” Royce whacked the butt of the gun into Steve’s chin. Steve’s head jerked back, and he grunted in pain.

2 – During the trip up, Aiden had removed the handcuffs, and Bishop made a few calls to Royce with updates, making him think all was going according to plan. He seemed convinced he had to help them for the safety of his family.

~ Better: 

Bishop seemed convinced he had to help them for the safety of his family.

3 – Bishop trailed behind him as if concerned he’d rob the place. “I don’t know what you expect to find.”

Aiden shrugged. “Maybe nothing.”

He rifled through dresser drawers, kitchen drawers, every potential hiding place.

~ Better: Aiden rifled through dresser drawers, kitchen drawers, every potential hiding place

It’s preferable to repeat names than to have readers pause or be confused, even a little.

Unnecessary information:

“Steve, I’m sorry, I told you, Emma’s ill, and I don’t think—”

“Steve!” Emma’s voice sang out from behind her, and China cringed. Damn, she was hoping to send him on his way before Emma found out he was here. “I missed you!”

If you read the entire section and know the context, it’s obvious that China was hoping Steve would leave without Emma seeing him. This part just sounds telling: she was hoping to send him on his way before Emma found out he was here. I should have eliminated that phrase completely. 

Poor word choice:

He was comfortable, a rock. Exactly what she needed.

A rock is comfortable? I don’t think so. Better: 

He was comfortable, solid, a rock. Exactly what she needed.

Misplaced modifier:

Moments later, coming from outside, he heard a grunt and a strangled yell.

~ Sounds like he was coming from outside. Better: 

Moments later, he heard a grunt and a strangled yell coming from outside.

Yes, I used a filter word, ‘heard’ as well. I could have done this:

Moments later, a grunt and a strangled yell came from outside

As many times as I went over this manuscript, those issues never occurred to me. But, with some distance and hearing it all read aloud, I’m picking up on things that need improvement. I know I’ve previously suggested reading aloud into a recorder, but I want to reiterate and show examples of issues you might not notice until you do.  So, if you can, set your story aside for at least a few weeks, a month is preferable. And, definitely read it aloud into a recorder. Or, ask someone else to read it for you. You’ll be amazed at what you pick up. You can also have a PDF read aloud to you, or you can have your Kindle read aloud to you. Those voices can be a little robotic, but it’s much less time consuming than reading it all yourself.  😉

Until next time…Happy Writing!

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NEW RELEASE – Now Available 

(Click on the cover to be taken to the Amazon Buy Page)

2 minute writing tip final

 

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*** If you would like to send me a few sample pages (around 7500 words or so, even though I will not edit that many on the blog. It just gives me more to choose from) for me to edit and share on an upcoming blog post, please do so in the body of an email to AliciaMDean@aol.com. Please use the subject line: “Blog Submission” This is for published or unpublished authors. In the email, please include whether you would like me to use your name or keep it anonymous, and whether or not you would like me to include any contact info or buy info for your books. Also, you can let me know if you would like for me to run my edits by you before posting on the blog. Please keep in mind, this is for samples to use for blog posts. I will not edit or use samples from all the submissions I receive, but I will use as many as possible. 

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16

How to write a novel? That is the question. There are probably as many answers to that question as there are people who ask it.

Wanting to write and actually doing it are two very different things. I am well acquainted with the sometimes grueling process of churning out a story. Over the years, I have tried many methods for creating and completing manuscripts, and have tweaked and honed it down to a workable (for me) process.

Using specific examples from one of my own novels, Without Mercy, I share my method in this mini how to book. The first eight steps actually deal with plotting while the last two are designed to help expand your outline into a well-developed draft. There is no one, perfect way to create a story, but there will be a method, or methods that work for you. I’m not sure if this is the one, but it works for me. Only you can decide if it also works for you. Fingers crossed that it does!

*** Warning – Please do not purchase without reading a sample. (This is solid advice for any book, fiction or non. If you are not intrigued in the sample, you will likely not enjoy the book)

Amazon: Click Here

15 Comments

Filed under For Writers, Promo Tips, Tips from an Editor, Tuesday Two-Minute Tips

Author Kris Bock, on Finding Inspiration in the Southwest

Please help me welcome today’s guest, Kris Bock, with an interesting and informative article, plus some books that look like great reads!

Finding Inspiration in the Southwest

I live in New Mexico, and the Southwest inspires my work, as I bring suspense with a dose of romance to the land I love. Here are some of my favorite spots – heavy on the adventure.

Socorro: For most people, this town in the middle of the state is mainly a rest stop between Albuquerque and El Paso, except in October/November when huge flocks of cranes and snow geese fly in to the Bosque del Apache National Wildlife Refuge. But as a local, I know the special sites nearby. Hikes can take you out in the desert or up to the mountains, visiting native petroglyphs or hunting for fossils. Hundreds of rock climbing routes provide adventures for anyone, beginners to experts. Plus, you have a good chance of seeing unusual wildlife, from roadrunners to foxes to great horned owls.

In my treasure hunting adventure, The Mad Monk’s Treasure, the heroine and her best friend hunt for the lost Victorio Peak treasure, a real Southwest legend about a heretic Spanish priest’s gold mine, made richer by the spoils of bandits and an Apache raider. I drew on personal experiences hiking in the desert for Erin and Camie’s adventures – though fortunately I’ve never stumbled on a rattlesnake nest or gotten caught in a flash flood!

KrisBockImage17-21-2016

My treasure hunting series now includes three books, which stand alone, with no cliffhangers. The second, The Dead Man’s Treasure, also has scenes in Socorro, as well as at other sites around the state. (I’d name them, but that would involve spoilers. In the novel, the heroine has the chance to inherit a fortune – if she can decipher clues that lead her on a treasure hunt.)

My most recent novel, The Skeleton Canyon Treasure, also starts in Socorro. From there, Camie and her feisty cat Tiger help a burly geologist who says he’s searching for his missing uncle. But can they trust him? Their adventure takes them into southeastern Arizona, including the famous town of Tombstone. My husband and I have visited Tombstone several times. It’s touristy, but still fun and full of the history of famous gunslingers and gunfights, such as the shootout at the O.K. corral.

KrisBockImage7-21-2016

Jemez Springs: This small town in the mountains of northwestern New Mexico is known for its hot springs. You can also visit the ruins of an old Spanish church; Soda Dam, a cool rock formation formed from the mineralized water flowing in the river; and Battleship Rock, so named because it resembles the prow of a battleship. (Pictures on my Pinterest page.)

I’ve attended many writing retreats at a camp north of the town, and those experiences inspired Counterfeits. Of course, in the book, the site isn’t quite so relaxing. When Jenny inherits a children’s art camp, she discovers that her grandmother’s death might not have been an accident after all. The men who killed her grandmother are searching for stolen paintings, and they think Jenny and her old friend Rob, the camp cook, are involved. Doing research at a real camp tucked away in the woods, and hiking above Battleship Rock for a scene where Jenny gets lost, helped the setting feel realistic.

Hovenweep National Monument: This one is not actually in New Mexico, but it’s close. Located on the southern border between Colorado and Utah, these ruins once housed 2500 people between A.D. 1200 and 1300. It’s one of many sites left behind by the ancestral Puebloans, also known as the Anasazi. It’s a small site, but that’s part of its charm, as you can hike and camp without crowds.

In my romantic suspense Whispers in the Dark, my heroine is an archaeology Masters student working at the fictional “Lost Valley” monument, which is closely based on Hovenweep. The lonely location allows for an almost Gothic atmosphere – mysterious lights in the canyon, spooky moaning sounds, and plenty of people hiding secrets.

Whispers in the DARK

Lincoln County: What We Found is loosely based the mountain resort town of Ruidoso. The forested town at nearly 7000 feet elevation is not what most people probably imagine when they think of New Mexico. Yet it seemed like the perfect place for the story of Audra, a young woman who stumbles on a dead body in the woods. More than one person isn’t happy about her bringing the murder to light, and in a small town, it’s hard to avoid people who wish you ill.

What We Found was inspired by the true experience of finding a body, as I described in this blog post. I also spent time with a man who raises falcons and hawks (photos on my Pinterest page), and that comes into play in the story. It’s real-life adventures like these, both good and bad, that make New Mexico a great place for a writer!

Leave a comment for a chance to win an e-book copy of one of these books. Let me know your favorite spot in the Southwest, or where you’d like to visit if you have the chance.

 

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Kris Bock writes novels of suspense and romance with outdoor adventures and Southwestern landscapes. The Mad Monk’s Treasure follows the hunt for a long-lost treasure in the New Mexico desert. In The Dead Man’s Treasure, estranged relatives compete to reach a buried treasure by following a series of complex clues. Whispers in the Dark features archaeology and intrigue among ancient Southwest ruins. What We Found is a mystery with strong romantic elements about a young woman who finds a murder victim in the woods. In Counterfeits, stolen Rembrandt paintings bring danger to a small New Mexico town.

Read excerpts at www.krisbock.com or visit her Amazon page. Sign up for Kris Bock newsletter for announcements of new books, sales, and more.

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7 Comments

Filed under Author Blog Post, For Writers, New Release

Min Edwards: Co-Authoring a Novel

Please help me welcome today’s guest, Min Edwards. She’s talking about a subject that has always intrigued me…

Co-Authoring a Novel

Min Edwards

Up until my recent work-in-progress, I was an author of contemporary romance and romantic suspense. The scene of each novel was set in the fictional village of Stone Bay, Maine, a place loosely based on my own village of Lubec, Maine, the most eastern town in the U.S. People flock to our lighthouse on New Year’s morning, if they can make their way through the snow, to view the first light falling on America. We’ve had some pretty severe winters lately, so the ‘flock’ is more like a ‘meeting of friends’, a very small meeting.

But I’ve left Stone Bay behind for a while for my true passion… Archaeology. And I’ve taken on a co-author, L.W. (Linda) Ellis. We’re both professional archaeologists with advanced degrees, mine from The University of Texas at Austin and hers from The University of Texas at San Antonio. Linda is semi-retired and continues to do work as an analytical specialist under contract with other archaeologists. I retired from archaeological illustration a couple of professions ago when I decided to open an independent bookstore/wine bar in 2004. But our passion for the profession remains undimmed.

This sounds cool, doesn’t it? And it is, or will be when we’ve ironed out all the wrinkles and finished the book, The Ruby Eye, Book 1 in the TARE: Talon Archaeological Research and Exploration Series. The problem as I see it is that we started off with a complete novel—that doesn’t work, or isn’t working for us. I’m a ‘fill in the blanks’ writer, leaving lots of holes in a story to fill with description or characterization later. My co-author is not a ‘fill in the holes’ writer. It makes her crazy I think when she sees a comment, ‘fill this in later.’ So this was our first stumbling block, but we’re getting through it and have learned a lesson.

Also, I struggle with description. My descriptive black hole is probably because during my years in archaeology I spent most of my time at a drafting table drawing maps, cross-sections, artifacts. I never actually had to describe anything with words! I illustrated them! Yes, I was an archaeological illustrator, one of the few in the country who actually had an advanced degree in Archaeology! And I worked in a repository (The Texas Archeological Research Laboratory at The University of Texas at Austin) used by the entire State of Texas… a place where archaeologists stored their artifacts and notes for their projects. They’d done this for decades and our collections were incredible. I was immersed. Really, I never thought about context; I focused on the physical. I needed to feel that stone tool in my hot little hands.

Linda on the other hand did field work and wrote reports about what was found. She also studied ceramics, both from a descriptive macro view as well as looking at the clays microscopically. She knew how to describe what she was seeing so that the rest of our colleagues could understand without having been on site what the importance of the project was. She’s the perfect person to write an archaeological adventure novel. She can describe a site in words that will make the reader believe they’re sitting in the dirt with their Marshalltown Trowel and a paint brush, whisking sediment away from a 13,000 year old spear point, the sweat running down their face, the sun beating down on their back, fire ants making a home in their shorts!

So Linda was the perfect choice as a co-author. She not only made her living describing things… with words… she’s a genius in detecting holes in a plot and when to kick my fanny for not using my words. She brought this home to me not long ago with this email: I know this scene is clear in your mind, but readers can’t get these descriptions by osmosis. You need to use your words! What does the village look like? Was the morning cloudy or crystal clear? Can someone standing on the beach see the mountains across the waters of the bay?

And she’s correct. I spent time in the location of this story, Lingayen Gulf, the Philippine island of Luzon. I remember every leaf, every grain of sand, every snake slithering out of the cane fields. We just need to make sure our readers can see these things, too.

So here we are, muddling our way through this ‘finished’ novel—adding, subtracting, polishing. And we’re saying to ourselves… co-authoring has to be easier than this.

And we’re correct, it has to be. Not only do we love the way this story is going now, and it’s a relief that so much dialogue and plot are already in place, but we’re beginning to get an idea of the organization that we need to write the next books in this series.

And you might ask, “You didn’t have any idea of organization when you started?”

Nope, I didn’t. Linda probably did because she thinks differently about writing than I do. She’s a plotter, an outliner. I’m a ‘sit down at the computer and jump in’ kind of writer. I don’t have a clue where the story will go until it gets there. This is probably the reason why my debut novel needed 17 versions before my editor deemed it ‘done.’

So the first things on our To-Do list before starting the next novel will be:

1) Plot the whole story including all the characters and their development. We’ll do this by writing a ‘bible’ of the story, building the hero, heroine and secondary characters’ personalities and histories even though we’ll probably never use this information in the novel. But we’ll know our characters, by gum!

2) Decide on our individual roles. Each take a character? Each take a chapter or scene? We’ll probably do this for each novel so we don’t find ourselves stuck in just one role.

3) Before going further into plotting another story in the series, we’ll need to plot a novella setting up the TARE company (Talon Archaeological Research and Exploration), a division of Talon Global, Marc Talon, owner. And we’ve already begun his ‘bible.’ We’ve learned something already.

4) We’ll be talking to other authors who’ve attempted co-authoring. Tips are always appreciated.

Follow along with us on our Facebook page at TalonArcheo to see what we’re learning along the way. There’ll be excerpts, triumphs and failures (we hope not too many of those), and of course, interesting stories about archaeology.

Oh wow, thank you, Min. This is fascinating, helpful information. I’ll be sure to file it away in case I decide to collaborate on a novel. Speaking of novels…OMG…your cover…a shark!! LOVE it!!

MinEdwards_BioImage_20July

Min Edwards is the pen name of Pam Headrick, owner of A Thirsty Mind Book Design. She holds advanced degrees in Anthropology with a focus on archaeology and geography as well as geology and art. She’s published four novels in two series: Stone Bay Contemporary Romance and High Tide Romantic Suspense. And later this summer will publish the last (perhaps) novel in the High Tide series, Precious Stone.

You can visit with her or contact her on her website at www.minedwards.com or her business site at www.athristymind.com. Her Amazon Author’s page lists her current titles published in digital and print format, Stone Bay, Stone Cold, Stone Heart and Stone Fall.

You can also find her on social media:

Blog

Twitter @ MEdwards Author

Facebook @ Author Min Edwards

Facebook @ TalonArcheo

Goodreads @ Author Min Edwards

Pinterest @ Min Edwards

 

LWEllis_BioImage_20July

As a professional archeologist, Linda (the L. in L.W. Ellis) spent more than 25 years delving into the interesting nuances of past civilizations. She’s a contributing author to more than 100 professional reports and journal articles, and writes an educational blog that she hopes will encourage people to explore and appreciate the world’s varied cultures. Recently, she’s taken her knowledge of science and history and ventured into the world of historical and women’s fiction. In addition to co-authoring the The Ruby Eye, she has a novel currently under review by a major publisher.

You can find her on social media sites:

website: http://www.nurturethemind.com/

blog: http://nurturethemind.com/blog2/

linkedin: https://www.linkedin.com/nhome/?trk=

MinEdwards_Image_20July

Excerpt:

“Juan,” Bryn Carmichael said as she pulled up short on the pier just out of earshot of the rest of her dive crew. “Who’s the new guy?”

“That’s Ford Sutton. The new Brit.” Juan’s brow furrowed when he glanced at Bryn. “You don’t know him?”

“No. When did he show up?”

“He walked into the village last night, while you and Bert were taking Stevie into town to the doctor.” Juan’s jovial mood evaporated. “Sorry, Bryn. You didn’t get back until so late and since he had a hiring form from Talon, I just assumed…”

“Wait… he has a hiring form?”

“Well, it’s more like a letter of introduction, but it’s on Talon letterhead and Marc’s assistant, Della Cameron signed it.”

“Well, damn.” The mumbled curse was punctuated by an aggravated burst of air. “Marc didn’t tell me he was sending a new crew member.” Now, her temper was threatening to get the best of her. This was her project. She was supposed to be in charge. If Marc valued her so much then why was he hiring someone without even discussing it with her… and for the guy to just show up…?  Bryn swallowed another curse.

Juan quickly added. “He has a resume and a list of references.”

“What does his resume say? Does he have some special skill?”

“He has a BSc in Maritime Archeology from Oxford, but it doesn’t say he has any special expertise. He’s definitely experienced—the letter from Talon lists quite a few projects he’s participated in.

Bryn cast an irritated glance in Sutton’s direction trying to decide whether she should delay the work day while she tried to reach Marc and find out what the hell was going on. Maybe she was just being overly cautious, or a bit defensive, but she didn’t like Marc hiring some guy without consulting her or even letting her know he was coming.

“Sorry I didn’t mention it sooner.” Juan apologized. “What do you want to do, Bryn?”

Bryn drew in a steadying breath, trying to tamp down her anger. She shouldn’t be taking her frustrations out on Juan. “Maybe I’m just being overly suspicious, but it seems odd that he’d show up just when we’re suddenly down a man. I’d like you to stay in today and check him out. Put in a call to the Talon office and find out what’s going on. Then check out those projects and his references. I’ll call Marc tonight.”

“Sure thing, boss. I’ll email the people he used as references, and I’ll follow up with Della.” Juan swiped a hand through his thick dark hair. “Sorry, Bryn,” he said again.

“No need to apologize.  It’s not your fault. Marc should have told me.” Bryn muttered as she glared down the pier toward the tall man leaning against the railing of the boat.  “I’ll let him ride along today since he has the letter from Talon, but I don’t want him diving until we’ve checked him out.”

20 Comments

Filed under Author Blog Post, For Writers, New Release

Tuesday Two-Minute Writing Tip – Suggestions to Tweak Your Wording

Got two minutes? Then check out this week’s quick tip ~ Words that can be rearranged or eliminated for better flow.

Hello and welcome…I am a freelance editor and an editor for The Wild Rose Press, as well as an author. I often struggle with my own writing, and I have found that sometimes, a little reminder of ways to improve the process can be helpful, so, I like to share these moments of brilliance with others :). But, in this busy world of ours, who has time for pages and pages of writing tips? That’s why I’ve condensed mine down to quick flashes you can read in (approximately) two minutes. Enjoy…

TWoMinuteTip

Disclaimer: All of my tips are suggestions, and are only my opinion. And, for the most part, there are exceptions when going against my advice will make your story read better. Take what works, leave the rest.

 

This is going to be very brief today, and probably not all that helpful. But, I notice this sort of thing often, either unneeded words or poorly arranged words. 

Examples: (I am aware, even with the ‘better’, that the below sentences could be improved further, but these are just quick samples of minor tweaks)

He had his hands cuffed in front of him. ~ Better: His hands were cuffed in front of him.

They both sat at the table. ~ ‘They’ is all you need, ‘both’ isn’t necessary. Better: They sat at the table.

With a sour expression on his face, he left the room. ~ Where else would his sour expression be but on his face? Better: With a sour expression, he left the room.

She refused to answer his calls, because she wasn’t going to go down that road again. ~ ‘Because’ is telling and sounds like you’re stopping the story to explain. Plus, ‘going to’ is unnecessary. Better: She refused to answer his calls. She wasn’t going down that road again.

“I wish you’d listen to reason”—with that he stood abruptly—“but I suppose that’s too much to expect.” ~ “With that” isn’t needed. Better: “I wish you’d listen to reason”—he stood abruptly—“but I suppose that’s too much to expect.”

She aimed toward the couple at the bar with her camera. ~ The couple at the bar didn’t have her camera. Better: She aimed her camera toward the couple at the bar .

In these last few, it’s not necessary to name the body parts. What else would you kick, nod, or shrug with?

He kicked him with his foot.

She nodded her head.

He shrugged his shoulders.

As I said, a brief one today. Just a suggestion to be aware of crowding your prose with unnecessary and obvious words. 😉

Until next time…Happy Writing!

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NEW RELEASE – Now Available 

(Click on the cover to be taken to the Amazon Buy Page)

2 minute writing tip final

 

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*** If you would like to send me a few sample pages (around 7500 words or so, even though I will not edit that many on the blog. It just gives me more to choose from) for me to edit and share on an upcoming blog post, please do so in the body of an email to AliciaMDean@aol.com. Please use the subject line: “Blog Submission” This is for published or unpublished authors. In the email, please include whether you would like me to use your name or keep it anonymous, and whether or not you would like me to include any contact info or buy info for your books. Also, you can let me know if you would like for me to run my edits by you before posting on the blog. Please keep in mind, this is for samples to use for blog posts. I will not edit or use samples from all the submissions I receive, but I will use as many as possible. 

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16

How to write a novel? That is the question. There are probably as many answers to that question as there are people who ask it.

Wanting to write and actually doing it are two very different things. I am well acquainted with the sometimes grueling process of churning out a story. Over the years, I have tried many methods for creating and completing manuscripts, and have tweaked and honed it down to a workable (for me) process.

Using specific examples from one of my own novels, Without Mercy, I share my method in this mini how to book. The first eight steps actually deal with plotting while the last two are designed to help expand your outline into a well-developed draft. There is no one, perfect way to create a story, but there will be a method, or methods that work for you. I’m not sure if this is the one, but it works for me. Only you can decide if it also works for you. Fingers crossed that it does!

*** Warning – Please do not purchase without reading a sample. (This is solid advice for any book, fiction or non. If you are not intrigued in the sample, you will likely not enjoy the book)

Amazon: Click Here

9 Comments

Filed under For Writers, Promo Tips, Tips from an Editor, Tuesday Two-Minute Tips

Writing Tip: The Middle Third by Author Michele Drier – Plus, her Vampire Novel, SNAP

Please help me welcome Michele Drier with an informative article and her latest release.

Thank you for joining me, Michele! Your series looks awesome…right up my alley. 🙂

SNAP_I_Vampire_eBook[974457]

The Middle Third

Most writers know the Dreaded Middle Third. The roughly one-third in the middle of the book where you can get bogged down in telling the story.

You start with a bang, It’s a new story, you’re developing the characters (and you like them!), you have action, maybe a new romance, a dash of fear, all the things that get your adrenaline moving

The last third, well you know the ending and it’s fun tying up all the loose ends, resolving conflicts, settling into a relationship.

But that middle third. This section is where you build the bridges to get from the excitement of a new adventure to the resolution at the end. It’s many times the crux of the book. The characters get depth, sometimes so much they take over. The tension increases. Does Character A know the background of Character B…let alone how s/he’s overcome it? Or is it still there, sabotaging every move?

Will Character C really go in that small, creepy basement?

Will they or won’t they fall in love?

What challenges raise their ugly heads? How many fears are standing in the way of a happy ending?

All good stuff. Harder to write.

What happens when Character B takes off with the narrative and you find that she’s developed an aversion to all those traits that intrigued her about Character A? Wow, this feels like a much stronger story and you like her new, feisty personality. It’ll never get her from the first to the last third, though.

Do you leave her like this, go back and rewrite the first third? How will that change affect the other characters? The plot?

Will the resolution change?

Probably plotters have a little easier time with the middle third, but for pantsers like me, one has to tread carefully. You give the characters space to tell their story, guiding them toward the resolution, but you don’t always know until you’ve written it, what’s going to happen.

Will the protag get pushed off the boat? Will an old lover show up? Is there abuse in the past? What’s he lying about? How will this affect the relationship?

It’s more difficult writing the middle third. A lot of times it’s like juggling four, five, six balls or kintting a sweater without a pattern. Oops, I have three sleeves! This is the time, though, where you can let the plot grow organically, following faint paths of desire, defeat, dishonesty, deceit.

I’m deep in the middle third of my thirteenth book, a stand-alone psychological thriller with a working title of Ashes of Memory.  It’s different from anything else I’ve written and juggling the balls is trickier. I believe one can learn from any experiences, no matter how weird, no matter how old. And this exercise is teaching me not to be complacent, stay open to new ideas. I have one character who will turn out to be the opposite of what he appears and I’ve never written a villain like this before.

I’ll finish it this summer and I’m hoping to emerge at the end a stronger plotter, stronger writer, stronger story-teller.

How are you planning to spend your summer vacation?

mybiopix[1740990]

Michele Drier was born in Santa Cruz and is a fifth generation Californian. She’s lived and worked all over the state, calling both Southern and Northern California home.  During her career in journalism—as a reporter and editor at daily newspapers—she won awards for producing investigative series.

Her Amy Hobbes Newspaper Mysteries are Edited for Death, (called “Riveting and much recommended” by the Midwest Book Review), Labeled for Death and Delta for Death.

Her paranormal romance series, The Kandesky Vampire Chronicles, has received “must read” reviews from the Paranormal Romance Guild and was the best paranormal vampire series of 2014. The series is SNAP: The World Unfolds, SNAP: New Talent, Plague: A Love Story, Danube: A Tale of Murder, SNAP: Love for Blood, SNAP: Happily Ever After?, SNAP: White Nights,  SNAP: All That Jazz, SNAP: I, Vampire .

Visit her webpage, www.micheledrier.com

facebook page, http://www.facebook.com/AuthorMicheleDrier or her Amazon author page, http://www.amazon.com/Michele-Drier/e/B005D2YC8G/

 

31 Comments

Filed under Author Blog Post, For Writers, New Release

Tuesday Two-Minute Writing (Marketing) Tip – Promotion: Thunderclap vs Headtalker

Got two minutes? Then check out this week’s quick tip ~ Comparisons between two ‘Crowdspeaking’ platforms

Hello and welcome…I am a freelance editor and an editor for The Wild Rose Press, as well as an author. I often struggle with my own writing, and I have found that sometimes, a little reminder of ways to improve the process can be helpful, so, I like to share these moments of brilliance with others :). But, in this busy world of ours, who has time for pages and pages of writing tips? That’s why I’ve condensed mine down to quick flashes you can read in (approximately) two minutes. Enjoy…

TWoMinuteTip

Disclaimer: All of my tips are suggestions, and are only my opinion. And, for the most part, there are exceptions when going against my advice will make your story read better. Take what works, leave the rest.

 

Most of you have probably heard of the ‘crowdspeaking’ method of promotion where you can launch a ‘campaign’ to gather support for your book. If you meet your support goal, then on the day of your scheduled promo, your message will be blasted from the account (Twitter, Facebook, or whichever platform the supporter chooses) of every person who supported you.

It’s an excellent way to broaden your reach, and potentially get your message trending, although there is no guarantee that it will actually compute to book sales. However, it takes very little effort, so it’s worth a shot, right?

One of the concerns people have in supporting a campaign is that the app asks for permission to access your account. The only purpose for that is so they can  send the tweet or FB post in your name and to calculate social reach. Thunderclap and Headtalker have been used a multitude of times by millions, and, to my knowledge, there has never been an issue with them illegally using or gathering information. They have no benefit or interest in doing so. I have supported tons of Thunderclap and Headtalker campaigns and have never had a problem.

I have used Thunderclap in the past, and I like it a great deal. Now, I am trying the ‘new kid on the block,’ Headtalker. If you’d like to see how ‘supporting’ works, and you wish to support me, here is my link. 🙂 I’ve almost reached my goal, but the beauty is, you can expand beyond your goal. The more, the better, right?

Devil’s Promenade on Headtalker

Here are some differences between the two sites:

THUNDERCLAP

Has a free option but also charges for some things that Headtalker doesn’t, such as campaign analytics, full supporter list, campaign updates, etc

Requires a minimum of 100 supporters

Platforms: Twitter, Facebook, Tumblr

Approval can take 3 days

Their ‘hours of operation’ are Mon-Fri, 10-6 EST

HEADTALKER

Is completely free

Requires a minimum of 25 supporters

Sends to their followers as well, which increases your social reach

Platforms: Facebook, Twitter, Tumblr, LinkedIn. 

HeadTalker offers advice on managing a successful campaign.

Approval within 24 hours (mine was only a few hours)

Hours of operation – 24/7

Whichever one you choose, I encourage you to give this marketing method a try. As I said, it takes very little effort and it could be quite beneficial. Have you tried one or both? Please feel free to share your experiences in the comments.

Until next time…Happy Writing (and marketing)!

 ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

NEW RELEASE – Now Available 

(Click on the cover to be taken to the Amazon Buy Page)

2 minute writing tip final

 

 ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

*** If you would like to send me a few sample pages (around 7500 words or so, even though I will not edit that many on the blog. It just gives me more to choose from) for me to edit and share on an upcoming blog post, please do so in the body of an email to AliciaMDean@aol.com. Please use the subject line: “Blog Submission” This is for published or unpublished authors. In the email, please include whether you would like me to use your name or keep it anonymous, and whether or not you would like me to include any contact info or buy info for your books. Also, you can let me know if you would like for me to run my edits by you before posting on the blog. Please keep in mind, this is for samples to use for blog posts. I will not edit or use samples from all the submissions I receive, but I will use as many as possible. 

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

16

How to write a novel? That is the question. There are probably as many answers to that question as there are people who ask it.

Wanting to write and actually doing it are two very different things. I am well acquainted with the sometimes grueling process of churning out a story. Over the years, I have tried many methods for creating and completing manuscripts, and have tweaked and honed it down to a workable (for me) process.

Using specific examples from one of my own novels, Without Mercy, I share my method in this mini how to book. The first eight steps actually deal with plotting while the last two are designed to help expand your outline into a well-developed draft. There is no one, perfect way to create a story, but there will be a method, or methods that work for you. I’m not sure if this is the one, but it works for me. Only you can decide if it also works for you. Fingers crossed that it does!

*** Warning – Please do not purchase without reading a sample. (This is solid advice for any book, fiction or non. If you are not intrigued in the sample, you will likely not enjoy the book)

Amazon: Click Here

15 Comments

Filed under For Writers, Promo Tips, Tips from an Editor, Tuesday Two-Minute Tips

Tuesday Two-Minute Writing Tip – How to Write Quickly and Crappily

Got two minutes? Then check out this week’s quick tip ~ Freeing yourself to truly write a horrendous first draft.

 

Hello and welcome…I am a freelance editor and an editor for The Wild Rose Press, as well as an author. I often struggle with my own writing, and I have found that sometimes, a little reminder of ways to improve the process can be helpful, so, I like to share these moments of brilliance with others :). But, in this busy world of ours, who has time for pages and pages of writing tips? That’s why I’ve condensed mine down to quick flashes you can read in (approximately) two minutes. Enjoy…

 

TWoMinuteTip

Disclaimer: All of my tips are suggestions, and are only my opinion. And, for the most part, there are exceptions when going against my advice will make your story read better. Take what works, leave the rest.

 

We’ve all heard the advice about giving yourself permission to write badly, but I’m not sure we really understand the concept. In your first draft, in order to get the story down quickly, you have permission to write atrociously, so atrociously you might begin to wonder if you’ve ever read before, let alone written before. I know, some of you are perfectionists and can’t move forward until you have a scene just the way you want it. You like to edit as you go, and I won’t hold that against you. 🙂 But, for those of you who are like me and need to just get the story down as quickly as possible, knowing you will have to make extensive revisions, this method is for you.

The story that I just finished was a struggle. As I am wont to do, I procrastinated and it got down to the wire, then I fell ill and lost a week of writing time. Even knowing I HAD to get the story done, I would sit down to write and freeze up and my brain would say, “You can’t do this. You don’t have a good handle on the story and you CANNOT do this.”

I told myself to write badly and just power through, and I thought I was doing that, then I realized, I wasn’t writing badly enough. So, I buckled down and used all the talent I could muster to write shit. (Pardon my language). I closed my eyes and did this…  

(Forgive me, this post is a little longer than two minutes if you suffer through reading my scene examples)

EXAMPLE 1:

Scene note:

She’ll see the ghost again while she’s out watching for the light but doesn’t believe it’s the ghost. Add a bit of setting

Scene draft (this is just a partial scene, I won’t bore you with the entire scene):

Tree limbs hung in the air heavy with ice.  A howl rose in the distance.  I looked around but saw nothing.  But then, coyotes were creatures of the night they wouldn’t just be roaming around in sight.  I walked until I reached the spot I’d read online was the best place to see it.

Snow started falling more heavily in a blink of an eye and I pulled my coat up around my neck.

A three quarter moon hung in the sky surrounded by a spattering of stars.  It was so quiet out here.  I didn’t see stars like that in Miami.  From the corner of my eye I saw a glow.  IT was translucent and not fully formed figure hovered above the ditch on the side of the road.  I gasped.  My legs shook.  It’s not real, whatever I’m seeing it’s not real.

The figure floated toward me I stepped back keeping my gaze on the glow.

What was it?

Not the light.  It wasn’t in the right spot nor was it the right shape.

Final:

I parked on the shoulder and snuggled into my coat. Above me, ice-coated tree limbs drooped heavily. A howl rose in the distance. I looked around but saw nothing. Of course, coyotes and mountain lions were sneaky. They wouldn’t be parading around in plain view. From what I’d read, they kept mostly away from civilization. Even though this area was hardly what I’d call civilized, it wasn’t the wilderness either. I was certain whatever had made that sound was a safe distance away.

A three quarter moon hung in the sky surrounded by a spattering of stars. Beautiful. I didn’t see stars like that in Miami. I focused my attention back to the end of the road. From my understanding, the best spot to see the light was just to the left of a cell tower. I could see the red lights of the tower. I studied the area left of it.

In my peripheral, a brief glow appeared. I whipped my head around. A translucent, but not quite human form, wafted above the ditch on the side of the road.

I gasped, and a tremble shot up my legs. It’s not real, whatever I’m seeing, it’s not real.

The figure floated toward me. I lifted the plastic, keeping my gaze on the glow.

What was it?

Not the light. It wasn’t in the right spot nor was it the right shape.

EXAMPLE 2: (an even shittier draft)

Scene note:

First dinner/meeting Declan.

Scene draft (partial): 

There will be convo about Oklahoma weather and how this isn’t typical, but they usually get maybe one or two blizzards a year, and this one happened to fall during their visits. Also, it should be mentioned about how ice can cause problems with power lines, etc.

Also, there should be something mentioned about the lack of cell service. Maybe Cami has tried to call editor and it didn’t work. Declan says if you’re one of those who is tethered to technology, you’ll not have a pleasant stay. No wifi, sporadic phone reception, depending on carrier. We do have phones in all the rooms, or maybe a guest phone. (I later decided Loretta would be the one to relay this info to Cami)

They will have more conversation.

They should talk about the Spooklight. Wife in couple believes it and husband makes fun of her. Declan and Loretta maybe can tell a few stories about the legend. No, he wouldn’t do that because of sis. Or, maybe Cami hears about sis and it’s nothing to do with Spooklight but she hopes it might be. Or, perhaps just wonders. What do they have for dinner and who serves it?

After dinner, dessert.

Final:

“I’m so glad you could brave this weather to join us,” Declan said, favoring us all with a glance. Whether he meant it or not, I wasn’t sure, but it was a polite and hospitable thing to say. “Have you been to this part of the country before?”

“We haven’t,” Roxanne said. “We live in Arizona. We heard about this place and were fascinated.”

“I was concerned when I saw the blizzard warnings,” Jin put in. He placed a hand over his wife’s. “But this is where my sweetheart wanted to celebrate our first anniversary, and I wasn’t going to let weather ruin that for her.”

Her face glowed with happiness as she leaned over and kissed him.

I forced a smile while my gut churned with nausea. Seriously? Was anyone really that happy? You thought you and Lance were, a little voice inside my head irritatingly reminded me. Yeah, well, you see how that turned out.

I jerked my head up in a moment of panic as I wondered if I’d said the words aloud. All eyes were on me. Had I?

“Ms. Burditt?” Declan stared at me curiously, making me think it wasn’t the first time he’d spoken to me. “Have you been to Oklahoma before now?”

My face heated at the same moment relief swept through me. I hadn’t spoken aloud. “No, no I haven’t. I’m from Miami.” Then I remembered the nearby town of the same name. “Miami, Florida, not Oklahoma,” I added hastily, and unnecessarily, since I’d just told them I had never been to Oklahoma.

“Miam-a,” Declan said.

“I beg your pardon?”

“The Miami in Oklahoma is pronounced with an ‘a’ sound at the end.”

I frowned. “Oh, well, that makes no sense.”

A small grin appeared on his full mouth. “Yes, well, what are you going to do?”

I smiled back. “Right?”

Conversation rose around the table about Oklahoma weather and how this wasn’t typical, but they usually experienced maybe one or two blizzards a year. This one just happened to fall during our visits. “The worst thing for us about this kind of weather is the ice.” Declan pushed his plate back and picked up his champagne. “It can often cause problems with power lines and roof cave-ins. If we happen to lose power, we do have a backup generator.”

“What’s the deal with the spook light?” Roxanne asked. “Do you think we’ll be able to see it while we’re here?”

Jin laughed. “Now, sweetheart, I told you, that’s just a bunch of nonsense.”

“I don’t know.” Declan’s voice lowered into an almost hypnotic tone. “There have been many sightings and many unexplained happenings over the years. Who are we to say whether or not it’s real?”

“Exactly.” Loretta took up the cause, which I was certain was just a ruse to stir up interest in the spook light. “I’ve seen it many times. And, I’ve heard the legends all my life. So far, no one has come up with a logical, scientific reason for the spook light’s appearance. So…”

Silence fell. Roxanne’s eyes were round, her face animated. Jin still looked skeptical, but said nothing further, perhaps out of politeness, which is the same reason I kept my mouth shut. Supernatural spook light indeed…strange occurrences. Did they think we were children? Or gullible, like Roxanne?

After a delicious dinner of prime rib and truffle mashed potatoes, with apple crisp and homemade ice cream for dessert, Declan stood. “Would anyone like coffee or a cocktail in the library?”

So…there you have it. I went from a brief thought about the scene to a shitty draft to a less shitty (I hope) polished scene. I did that over and over until I had an entire novella. Laugh, if you must, but I wrote a 35,000 word novella in approximately two weeks, including revisions. And that was while I was working full-time, editing for The Wild Rose Press, coordinating a contest, watching television (a girl has to have some down time), freelance editing, promo, etc. (although my amazing friend and co-moderator for my AHA group, M.J. Schiller, took over most of those duties for me during that time).

It helps to tell yourself, “No one has to see this until I’m ready for them to.” (Unless you’re like me and foolish enough to blog about it and share your embarrassment.) I also tell myself, “Each pass will improve.” And, it did. Although I can now see how I would tweak my ‘final’ scenes a bit further. Such is the way with writers. We will always want to revise, but at some point, we just have to be finished. And breathe a huge sigh of relief….then start on the next shitty draft.

Until next time…Happy Writing!

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NEW RELEASE – Now Available 

(Click on the cover to be taken to the Amazon Buy Page)

2 minute writing tip final

 

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*** If you would like to send me a few sample pages (around 7500 words or so, even though I will not edit that many on the blog. It just gives me more to choose from) for me to edit and share on an upcoming blog post, please do so in the body of an email to AliciaMDean@aol.com. Please use the subject line: “Blog Submission” This is for published or unpublished authors. In the email, please include whether you would like me to use your name or keep it anonymous, and whether or not you would like me to include any contact info or buy info for your books. Also, you can let me know if you would like for me to run my edits by you before posting on the blog. Please keep in mind, this is for samples to use for blog posts. I will not edit or use samples from all the submissions I receive, but I will use as many as possible. 

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16

How to write a novel? That is the question. There are probably as many answers to that question as there are people who ask it.

Wanting to write and actually doing it are two very different things. I am well acquainted with the sometimes grueling process of churning out a story. Over the years, I have tried many methods for creating and completing manuscripts, and have tweaked and honed it down to a workable (for me) process.

Using specific examples from one of my own novels, Without Mercy, I share my method in this mini how to book. The first eight steps actually deal with plotting while the last two are designed to help expand your outline into a well-developed draft. There is no one, perfect way to create a story, but there will be a method, or methods that work for you. I’m not sure if this is the one, but it works for me. Only you can decide if it also works for you. Fingers crossed that it does!

*** Warning – Please do not purchase without reading a sample. (This is solid advice for any book, fiction or non. If you are not intrigued in the sample, you will likely not enjoy the book)

Amazon: Click Here

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